The duo walks straight straight down memory lane to provide insights within their characters, approach to get results and a crucial assessment regarding the other as a Kuchipudi artiste
Vyjayanthi Kashi and Prateeksha Kashi share a relationship that includes facets that are many guru and shishya, co-performers on phase and mom and child. Whenever Prateeksha performed a Kuchipudi solamente during the Soorya Festival within the Parampara show, where dancers that are young their tribute with their experts, and Vyjayanthi dparampara — the tradition — alive.
A conversation that is free-flowing the duo wasn’t just a stroll down memory lane but additionally offered insights within their characters, approach to function and a vital assessment of this other being a Kuchipudi artiste.
Vyjayanthi used Kuchipudi at time as soon as the trained in therefore the practice regarding the party type had been restricted primarily to Andhraites. The dancer, who had learnt Bharatanatyam, desired to pursue a various party industry. Using inspiration from an aunt who’d pursued Odissi, Vyjayanthi made a decision to discover the party kind. She later chose to train under Kuchipudi Guru CR Acharya after viewing him perform Chitra Natyam.
“He used to phone me personally their dance daughter! ” says Vyjayanthi by having a laugh, as she remembers the experts whom moulded her — Ramanna, Vedantam Prahlada Sarma, Korada Narasimha Rao, Satyanarayana Sarma and Vempatti Chinnasatyam and others.
For Prateeksha, it absolutely was a different story. She have been viewing and dance that is absorbing her house. But, whenever it stumbled on learning a party kind, her mom left the option to her — and her option had been Odissi! “But I discovered it too tough to discover; the instructor ended up being strict and irregular. It a miss, ” says Prateeksha, who went back to Kuchipudi so I decided to give.
Although in the beginning she ended up being playful and sexy during her classes, seeing a lot more of her mom when you look at the Guru, she matured in to the part of a severe pupil over many years.
Vyjayanthi Kashi and child Prateeksha Kashi | picture Credit: Special arrangement
Now, as title to consider, how exactly does Prateeksha see by herself? “I am nevertheless attempting to soak up whenever possible from my mom. While planning for a brand new production, she constantly seeks my views and lets me experiment. In the minute, i will be pleased to simply take motivation from her work. She actually is overseeing might work until we have a company foothold, once I can endeavor by myself, ” says Prateeksha.
Vyjayanthi has generated unique productions that feature the duo that is mother-daughter. One of these, in line with the colour red, ended up being presented recently in america and Canada. “Red evokes emotions that are different’ says Prateeksha, elaborating in the theme. “The red bindi and also the gown associated with bride evoke shringara, while for small Prahlada, the red bloodstream gushing away from Hiranyakashyap, killed by Narasimha, create fear, bhayanaka. Therefore, when it comes to presentation, we linked red to the navarasas. ”
‘Antaranga tharanga’ is a manufacturing in line with the theme of motherly love. With Sita and her mother, Bhoomi Devi, due to the fact primary figures, this dance assumes on another hue entirely whenever done because of the mom as well as russian brides club the child.
Therefore, what is it truly like to execute together on phase? There was tremendous synergy, agrees the duo. “Sometimes, we notice Prateeksha emoting in brand brand brand new methods that can come as being a wonderful surprise, ” claims Vyjayanthi, incorporating that every student has her/his very very own unique means of expressing a bhava.
The aspect that she admires many inside her child may be the lasya inside her party. “This is probably because she’s got a lady guru, whereas i have already been trained mostly by male experts therefore the thandava comes easily if you ask me, ” claims Vyjayanthi. She continues on to express her daughter’s subtlety and the nuances she gives to her expressions that she loves.
Prateeksha, on the component, admires her mother’s spontaneity that often challenges her whenever she carries out alongside. She additionally appreciates Vyjayanthi’s participation with any character, from the comfort of each time a manufacturing is conceptualised. “She will likely to be thinking, getting a few variations for the script and accepting it only if it reflects just what she desires to convey, ” says Prateeksha.
One notices the component of spirituality and insights that are philosophical Vyjayanthi imparts to her productions. “It arises from my experience. Besides, ab muscles function of art is always to convey the sattva, the virtue and goodness. Without sattva, there’s no party. The thing I attempt to do would be to simply take a religious topic and interpret it in a modern way to get in touch with the viewers, ” concludes Vyjayanthi.
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